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Camel Artist Oil Colours

Individual tube of French Ultramarine in 40 ml

₹230

40 ml

40 ml

120 ml

Only available at retail stores.

See stores near you

First introduced in 1965

Created using the semi-precious stone lapis lazuli, this is possibly the only pigment that has cost more than gold. It was mined in Afghanistan and reached Europe in the 13th century via the silk road. This rare and labour intensive mining produces the striking blue you see in this shade.

Working Time

High

Drying Time

Slow Kokuyo Camlin Website Kokuyo Camlin Website May vary on shades, application, medium, weather conditions, and surface

Shade

French Ultramarine

Shade Code

144

Series Number

2

Pigment Code

PB 29, PV 23

Transparency

Transparent Kokuyo Camlin Website Kokuyo Camlin Website See-through shades that are great for layering and glazing.

Permanency

B Kokuyo Camlin Website Kokuyo Camlin Website Better Permanency can be achieved if used in Mass Tone or not used in Reduced and Wash Tone with shades that have a Permanency rating of B and C

Features

01

Superior effects with high-quality pigments and greater pigment load

02

To be used on primed canvas/paper only

03

Must be used with Linseed Oil as primary medium

04

Can be used in impasto, glaze and wash techniques

05

Ideal for 'Wet in Wet' blending

06

'‘Fat Over Lean’ technique offers the best results and long life Kokuyo Camlin Website Kokuyo Camlin Website The base coat should have a minimal amount of oil medium while the subsequent coats will gradually increase the ratio of oil to shade

Product Code - 115144

Pro Tips from Artists

Immerse brushes and tools in Turpentine to avoid colours drying on them.

Use Turpentine to clean all tools.

Use Oil Colours in a well ventilated area.

Let each coat dry before applying another coat to avoid cracking.

Can be applied with a palette/painting knife.

Frequently bought with
Artist Oil Colours

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“We don't make mistakes, just happy little accidents.”- Bob Ross